Odia loka nataka pdf download
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The Oriya folk drama prevalent in Odisha can be divided into five main categories, namely
- Nach, Nat, Suang,
- Gitavinaya and Geetinatya
- Fars, Tamsa, etc.
- Modern travel or travel drama.
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The dance or play includes a one-man dance, a dance, a dance, a friend’s dance, a kandhei dance, and so on. According to critics, the root cause of punishment is extremism. Suang is generally considered to be the epitome of leela, lyricism, and lyrical drama. Oriya leela is mainly based on Ramlila and Krishnalila. The miraculous deeds of Rama and Krishna are described in leela in an angry verse.
The famous lyricist Krishnakant Das introduced the faces of Ravana, Mahiravan, Vibhishan and Hanuman to make his Ramlila attractive. Krishnakant’s introduction is a completely new step in the history of Oriya Lilavinaya. Even the famous lyricist Jagannath Pani and Vaishnav Pani do not have a face to face in the respective pastimes.
Among Krishnalila, Rasalila was especially popular in Odisha. The thoughts, consciousness, philosophies that Oriya poets, artists, and scholars have expressed in various eras have always been in line with Indian tradition and are based on Vedic philosophy.
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